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Saturday, September 18, 2021
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Daniel Bodner (b. 1963) began painting in New York in the mid-1980s with a focus on the human figure. Following his move to Amsterdam, Netherlands in 1990, he explored space in relation to the figure, making unplanned and organic paintings from an interior dialogue. In 2005 his focus shifted to the depiction of light as it describes or sometimes obliterates space and figures. His paintings have formal qualities that recall decaying photographs or artifacts, and surface textures that reference mold and oxidization — qualities that are visual metaphors for the human experience, and refer to themes of solitude, alienation, memory and desire.

Daniel Bodner divides his time between New York, Amsterdam and Easthampton, Massachusetts.

He’s represented by ROGER KATWIJK gallery in Amsterdam.

MARKUS LÜPERTZ at Michael Werner gallery

Michael Werner Gallery presents an exhibition of new paintings by Markus Lüpertz inspired by the Edenic, pastoral motif of Arcadia and its recurrence throughout the canon of art history from Greek antiquity to the Renaissance. The exhibition ends July 7, 2017


Berlin painter Juliane Hundertmark’s work presents surprising parallels with visionary artists such as William Blake and Henry Fuseli. Her strange figures and their ghost-like alter egos, appear to us like the devilish imp in Fuseli’s ‘The Nightmare’.

Whilst yielding many interpretations, Fuseli’s work is predominantly seen as relating to traditional folklore or prefiguring late nineteenth-century psychoanalysis. Hundertmark’s scenes are reminiscent of Germany’s forests teaming with dark tales and folklore. Her imagery is an improvised dance in the subconscious, conjuring old figures out of childhood memories and placing these strange fellows in strange relationships.

Juliane paints with genuine pathos and natural emotion. Her paintings sometimes present historical and religious themes. The relationship between people and animals in her work is compelling and sensitive. Her use of animal mimicry delves into a full range of emotions.

Armory Show 2017 (New York)

The Armory Show is New York’s premier art fair and a definitive cultural destination for discovering and collecting the world’s most important 20th and 21st century artworks. Staged on Piers 92 & 94, one of the city’s industrial gems, the fair features presentations by leading international galleries, innovative artist commissions and dynamic public programs. Since its founding in 1994, The Armory Show has served as a nexus for the international art world, inspiring dialogue, discovery and patronage in the visual arts.

The Armory Show was founded by four New York gallerists – Colin de Land, Pat Hearn, Matthew Marks and Paul Morris – who sought a platform to present and promote new voices in the visual arts. In its 23 years, The Armory Show has stayed firm to its mission while establishing itself as an unmissable art event set in the heart of New York City and welcoming over 65,000 visitors annually.

DAWIT ABEBE: Volta NY 2016

This is an interview with Dawit Abebe at the 2016 Volta NY art show in New York city.
Dawit Abebe, born in 1978, graduated from the Alle School of Fine Art and Design at Addis Ababa University with a diploma in painting, sculpture, graphics, photography and industrial design. In 2001, he founded the Habesha Art Studio in his native Ethiopia, where he continues to be a full-time artist-in-residence. In addition to numerous successful international exhibitions across Africa, Europe and the Middle East, Abebe has also worked with charities such as UNICEF to hold workshops for street children in Arba Minch, Jinka and Addis Ababa.

Armory Show 2016 (New York)

The Armory Show is America’s leading international art fair taking place annually on pier 92 & 94, overlooking the Hudson River. Now in its 22nd year, The Armory Show is a New York cultural institution and a highly-anticipated event on the global arts calendar. With a commitment to presenting the highest-quality modern and contemporary art, The Armory Show connects the world’s foremost galleries with international collectors, curators and art professionals in the capital of the art world.

Computer beeps then shuts down

Problem: Your Windows computer beeps then shuts down, this mainly happens to laptops/notebooks because of their miniature design. Why does it happen? It’s due to overheating and your computer has self-preserving protocol to prevent it from fire. My 4-year old Sager laptop was no exception.

Disclaimer: You’re at your own risk, if you damage your computer or injure yourself in the process, you cannot hold me responsible or liable for it.


  1. Unplug the power cable going into the laptop.
  2. Flip the laptop upside down and unscrew the screws holding the bottom cover.
  3. Unscrew the metal plate cover that is sitting on top of your video graphics fan, as well as heat-sink fan. Unscrew the screws holding the fans to the casing.
  4. Unplug the little plugs that power these fans and remove the fans.
  5. At this point you will see carpet-like dust build-up on the heat-sink grills (See image below).
  6. Using a vacuum machine with small brush nozzle, vacuum out all the dust from the heat-sinks as well as the fans (both sides of the fan and its propellers).
  7. Reconnect the fans and screw back all the screws you unscrewed, don’t forget the bottom cover while you’re at it.
  8. Send me a post-card if the above helped.

Why humans run the world

History professor Yuval Noah Harari — author of Sapiens: A Brief History of Mankind — explains why humans have dominated Earth. The reason is not what you might expect.

70,000 years ago humans were insignificant animals. The most important thing to know about prehistoric humans is that they were unimportant. Their impact on the world was very small, less than that of jellyfish, woodpeckers or bumblebees.

Today, however, humans control this planet. How did we reach from there to here? What was our secret of success, that turned us from insignificant apes minding their own business in a corner of Africa, into the rulers of the world?

We often look for the difference between us and other animals on the individual level. We want to believe that there is something special about the human body or human brain that makes each individual human vastly superior to a dog, or a pig, or a chimpanzee. But the fact is that one-on-one, humans are embarrassingly similar to chimpanzees. If you place me and a chimpanzee together on a lone island, to see who survives better, I would definitely place my bets on the chimp.

The real difference between us and other animals is on the collective level. Humans control the world because we are the only animal that can cooperate flexibly in large numbers. Ants and bees can also work together in large numbers, but they do so in a very rigid way. If a beehive is facing a new threat or a new opportunity, the bees cannot reinvent their social system overnight in order to cope better. They cannot, for example, execute the queen and establish a republic. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of intimately known individuals. Among wolves and chimps, cooperation is based on personal acquaintance. If I am a chimp and I want to cooperate with you, I must know you personally: What kind of chimp are you? Are you a nice chimp? Are you an evil chimp? How can I cooperate with you if I don’t know you?

Only Homo sapiens can cooperate in extremely flexible ways with countless numbers of strangers. One-on-one or ten-on-ten, chimpanzees may be better than us. But pit 1,000 Sapiens against 1,000 chimps, and the Sapiens will win easily, for the simple reason that 1,000 chimps can never cooperate effectively. Put 100,000 chimps in Wall Street or Yankee Stadium, and you’ll get chaos. Put 100,000 humans there, and you’ll get trade networks and sports contests.

Cooperation is not always nice, of course. All the terrible things humans have been doing throughout history are also the product of mass cooperation. Prisons, slaughterhouses and concentration camps are also systems of mass cooperation. Chimpanzees don’t have prisons, slaughterhouses or concentration camps.

Yet how come humans alone of all the animals are capable of cooperating flexibly in large numbers, be it in order to play, to trade or to slaughter? The answer is our imagination. We can cooperate with numerous strangers because we can invent fictional stories, spread them around, and convince millions of strangers to believe in them. As long as everybody believes in the same fictions, we all obey the same laws, and can thereby cooperate effectively.

This is something only humans can do. You can never convince a chimpanzee to give you a banana by promising that after he dies, he will go to Chimpanzee Heaven and there receive countless bananas for his good deeds. No chimp will ever believe such a story. Only humans believe such stories. This is why we rule the world, whereas chimps are locked up in zoos and research laboratories.

It is relatively easy to accept that religious networks of cooperation are based on fictional stories. People build a cathedral together or go on crusade together because they believe the same stories about God and Heaven. But the same is true of all other types of large-scale human cooperation. Take for example our legal systems. Today, most legal systems are based on a belief in human rights. But human rights are a fiction, just like God and Heaven. In reality, humans have no rights, just as chimps or wolves have no rights. Cut open a human, and you won’t find there any rights. The only place where human rights exist is in the stories we invent and tell one another. Human rights may be a very attractive story, but it is only a story.

The same mechanism is at work in politics. Like gods and human rights, nations are fictions. A mountain is something real. You can see it, touch it, smell it. But the United States or Israel are not a physical reality. You cannot see them, touch them or smell them. They are just stories that humans invented and then became extremely attached to.

It is the same with economic networks of cooperation. Take a dollar bill, for example. It has no value in itself. You cannot eat it, drink it or wear it. But now come along some master storytellers like the Chair of the Federal Reserve and the President of the United States, and convince us to believe that this green piece of paper is worth five bananas. As long as millions of people believe this story, that green piece of paper really is worth five bananas. I can now go to the supermarket, hand a worthless piece of paper to a complete stranger whom I have never met before, and get real bananas in return. Try doing that with a chimpanzee.

Indeed, money is probably the most successful fiction ever invented by humans. Not all people believe in God, or in human rights, or in the United States of America. But everybody believes in money, and everybody believes in the dollar bill. Even Osama bin Laden. He hated American religion, American politics and American culture — but he was quite fond of American dollars. He had no objection to that story.

To conclude, whereas all other animals live in an objective world of rivers, trees and lions, we humans live in dual world. Yes, there are rivers, trees and lions in our world. But on top of that objective reality, we have constructed a second layer of make-believe reality, comprising fictional entities such as the European Union, God, the dollar and human rights.

And as time passes, these fictional entities have become ever more powerful, so that today they are the most powerful forces in the world. The very survival of trees, rivers and animals now depends on the wishes and decisions of fictional entities such as the United States and the World Bank — entities that exist only in our own imagination.

Online dating tips for women

Everyone tried online dating, and what many women don’t realize is how important choosing the right pictures for their profiles is. Online dating tips for women have been compiled by men, so you know what guys think when looking at your dating profile.

1) Don’t post photos of you and your friends on a dating web site.
– Unless of course you want to show me how attractive your friends are, which is weird.
– Seeing photos of you in a line of 10 women It tells me that you can’t stand on your own or that you lack confidence.
– If I’m looking at YOUR profile, I want to see photos of YOU.
2) Don’t post a photo in which you’ve cropped out your last boyfriend.
– You’re not fooling anyone; I know that’s his arm behind your neck.
3) Don’t post scenery photos
– Talk about the trips you’ve taken, favorite and/or dream destinations.
4) Don’t post pics of your kids (if you have them)
– It’s a dating web site, keep that in mind.
5) Don’t post pics of you with someone ELSE’S kids (if you don’t have kids)
– It looks like you have one, or you desperately want one.
6) Don’t post solo pics of your pets
– Just tell me you like/have pets and let it be part of the conversation.
7) Don’t post for the ‘silly face’ pose
– it’s usually NOT a flattering photo
8) Don’t post a pursed-lipped (duck-bill) photo
– It’s not flattering and it just looks you’re either arrogance, or a follower
9) Don’t post bikini photos.
– While sexy photos will catch a guy’s eye for sure but you will get the creeper element’s attention. And they don’t require much encouragement to creep on.
10) I know you love to laugh.
– Check your profile, check your friend’s profiles.
– I guarantee at least ONE of you in your group has stated this obvious fact.
– A joke is made with friends on how many women “love to laugh”.
– Ironically, your arrogant, duck-billed, pursey-lipped photos suggest otherwise.
– Me? I’m a fan of frowning.

Profile Suggestions:
– if you look miserable, guys will think you are.
2) See #1
3) Post a few photos, not just one.
– I want to see what you REALLY look like.
– Your photos should be CURRENT.
– Post one of your full body (not a sexy shot, but one that says “this is me, i’m not trying to hide”)
– Post one of you doing something you love.

RoboUniverse 2015: Rethink Robotics Baxter

Rethink Robotics Baxter robot is introduced by Eric Foellmer. This is an affordable robot that can be easily trained to perform repetitive tasks and flexible enough for many industries.

RoboUniverse is the first professional buyer – seller conference and exposition dedicated to the service robotics industry. The mission of this expo is to accelerate the adoption of modern robotics – service, collaborative and co-worker robots for business, manufacturing, healthcare, education, personal and home based applications.